Download The Spider and the FlyBy Mary Howitt, Tony DiTerlizzi
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The Spider and the FlyBy Mary Howitt, Tony DiTerlizzi
Download The Spider and the FlyBy Mary Howitt, Tony DiTerlizzi
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"'Will you walk into my parlor,'
said the Spider to the Fly..."
is easily one of the most recognized and quoted first lines in all of English verse. But do you have any idea how the age-old tale of the Spider and the Fly ends? Join celebrated artist Tony DiTerlizzi as he -- drawing inspiration from one of his loves, the classic Hollywood horror movies of the 1920s and 1930s -- shines a cinematic spotlight on Mary Howitt's warning, written to her own children about those who use sweet words to hide their not-so-sweet intentions.
- Sales Rank: #24564 in Books
- Brand: Simon & Schuster Children's Publishing
- Published on: 2002-10-01
- Released on: 2002-10-01
- Original language: English
- Number of items: 1
- Dimensions: 10.00" h x .40" w x 11.00" l, 1.25 pounds
- Binding: Hardcover
- 40 pages
From Publishers Weekly
Howitt's 1829 cautionary poem of a fly's risky entanglement with her perfidious predator springs to cinematic life amid silver-sheened black-and-white illustrations by an artist well known for his work on the Magic: The Gathering trading cards. Gouache images that seem to glow in the dark deftly recall the silent film era, craftily luring in readers even before the tale's famous opener, " `Will you walk into my parlor?' said the Spider to the Fly." An exterior view of a darkened mansion, its sole light coming from an attic window, gives way to a close-up of the same window as a petite dragonfly in flapper attire (complete with fringed dress, long gloves and flower-petal parasol) peers inside at Spider's lair: a Victorian dollhouse set amid cobwebby attic treasures. With an arsenal of Vincent Price expressions, the well-heeled Spider uses food and flattery to entice his guest into staying within his walls. Some of the text appears periodically against a framed black backdrop, … la silent movie captions, while a silvery web is progressively woven in the background. Finely detailed scenes foreshadow Fly's demise with subtle, Charles Addams-esque humor that, while it may escape younger readers, will tickle the Lemony Snicket set. (In one scene, previous insect victims, now ghosts with their feet hovering above the floor, hold up a copy of The Joy of Cooking Bugs, in a vain warning to Fly.) DiTerlizzi has spun a visual treat that young sophisticates and adults alike will enjoy. Ages 6-up.
Copyright 2002 Cahners Business Information, Inc.
From School Library Journal
Grade 1-6-Most people are familiar with Howitt's poem, but DiTerlizzi's art raises this hackneyed classic to a new level. Rendered in black-and-white gouache and pencil, then reproduced in silver-and-black duotone, the paintings have a spooky quality perfectly suited to retelling this melancholy tale. Ms. Fly, with her whimsical flower umbrella and Roaring '20s attire, captures the flavor of an old-time Hollywood heroine. Her nemesis, seated on his Victorian chair, is dressed like a pasha in silk robe and slippers (six, of course) or resplendent in tails, top hat, and spats; he is clearly a dastardly fiend cloaked in splendid apparel to dazzle his victim. Wispy, transparent, ghostly shapes haunt the eerie mansion; the white print on the black pages stands out against the shadows creeping across each spread. All of these elements foreshadow the fly's untimely demise. With its tragic ending, heavy moralizing, and sophisticated artwork, this book will appeal to older children as well as to adult fans of old horror movies. This title is worth purchasing for its valuable artwork alone.
Laurie Edwards, West Shore School District, Camp Hill, PA
Copyright 2002 Cahners Business Information, Inc.
From Booklist
Gr. 2-5. There's no question about the villain in this version of Howitt's familiar 1829 poem about the vain, silly fly and the cunning spider who does her in. The smarmy visage of the spider leering at Miss Fly, who is sweetly attired in fringed flapper garb, says plenty. The melodrama is wonderful: Miss Fly--hand on forehead, hand on heart, two hands outstretched in protest (and two legs, of course, makes six)--declares, "Oh no, no . . . Kind sir, that cannot be. / I've heard what's in your pantry and I do not wish to see." Diaphanous ghosts of Spider's previous victims float nearby, but they're unable to change the fate of Miss Fly, who falls victim to Spider's flattery and her own pleasing reflection in a bottle-cap looking glass. Older children will be most likely to catch the intricacies in the monochromatic artwork--the various poses of the multiple appendages, the butterfly-wing curtains, and other delightfully creepy buggy details. Only a few will think past the story and wonder about the fact that most spiders are female. Stephanie Zvirin
Copyright © American Library Association. All rights reserved
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